Studio 3, Leeds Art Gallery (Nike Savvas) & David Shearing
This was our first session in
a short series of workshops exploring colour, light and painting into space.
I presented to the group some initial starting points and images from Nike
Savvas’ work. We discussed briefly ideas
around movement; objects that move in the wind, spin or as the ‘viewers’ body moves
through the space.
As part of the opening I showed a video by animator Esteban Diácono, set to the music of Icelandic composer Ólafur Arnalds.
As part of the opening I showed a video by animator Esteban Diácono, set to the music of Icelandic composer Ólafur Arnalds.
The video is emotionally gripping where we witness a short
narrative unfold; a bird breaks free from its mobile and sweeps over the sea
and through paper clouds. The group felt there was much in common with some of
the animation pieces they had been working on and it helped set an imaginative
tone for their own explorations. The video highlighted how simple moving
objectives can create emotive stories.
We returned to Nike Savvas to get us started and begun by creating our own mobiles. Savvas often uses very simple materials, plastics, yarns, light, and Savvas has said of herself, that she can often be found rummaging through cheap pound shops for bright coloured materials! We started simple, using cutters to create circles, stars and stripes; our aim was to see how the colours and shapes operated when we hung them up.
We returned to Nike Savvas to get us started and begun by creating our own mobiles. Savvas often uses very simple materials, plastics, yarns, light, and Savvas has said of herself, that she can often be found rummaging through cheap pound shops for bright coloured materials! We started simple, using cutters to create circles, stars and stripes; our aim was to see how the colours and shapes operated when we hung them up.
Some of the group had already begun to imagine their own ideas and how this particular experiment could relate some of their practice. Karen quickly begun to explore different representations of angels and other
mystical imagery – on seeing Karen’s previous work I felt the work had
qualities similar to the complex lyrical illustrations by William Blake. Our
task now was to consider the impact of making these ideas in three dimensions, in space.
Some of the group managed to hang a number of strings onto the frames before
the end of the session to create some rather striking forms. Philip’s colour choice was rather delicate;
the green, blue and gold bounced the light around creating hazy turquois
impressions as they moved.
Similarly, Elaine
chose to keep it simple with two key colours, this time red and silver.
Inserting a smaller disc
inside offered a subtle dynamic by creating a clear contrast - the silver disc
seemed to take on the colours of the room.
Ian chose to explore a range
of different styles and techniques in one mobile; this will provide some
interesting material for when we explore the mobiles with light.
In our next session we hope to experiment with hanging these in a space and make the experience more ‘immersive’. We will also add an additional element of paper to offer us richer material for our lighting workshop in two weeks time.
In our next session we hope to experiment with hanging these in a space and make the experience more ‘immersive’. We will also add an additional element of paper to offer us richer material for our lighting workshop in two weeks time.
I love the film you have posted up. I feel an afternoon of youtube surfing through the world Esteban Diacona coming on!
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